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Around Town With HughE

Calder Gardens Opens

with Calder’s In Attendance

2100 Benjamin Franklin Pkwy in a 2009 photo I took after it was announced the Calder would be built on this location

I’ve been a huge fan of the Calder family ever since the 1990s, when my friend Greta Greenberger, the former tour director of Philadelphia City Hall, introduced me to their work. She even encouraged me to take the classes that led to my becoming an official tour guide. My beat was City Hall, home to 250 Calder sculptures.

When I gave these tours with the Philadelphia Foundation of Architecture, I would highlight the Calder dynasty of artists whose works are embedded in Philadelphia’s landscape. From Alexander Milne Calder’s William Penn crowning City Hall,

to Alexander Stirling Calder’s Swann Memorial Fountain in Logan Circle, to Alexander “Sandy” Calder’s Ghost suspended in the Grand Stair Hall of the Philadelphia Museum of Art, he was best known for his paintings and mobiles which utilized carefully orchestrated weighting to balance, move and suspend each piece in the air.

The newly opened Calder Gardens

Last week, a long-held dream came to life with the official opening of Calder Gardens on the Benjamin Franklin Parkway. The new sanctuary celebrates the legacy of sculptor Alexander “Sandy” Calder, uniting the visionary architecture of Herzog & de Meuron with the masterful landscapes of Piet Oudolf.

The 1.8-acre site is unlike a traditional museum—its low-slung, curved structure blends into sweeping meadows and gardens filled with more than 250 varieties of perennials and grasses that shift with the seasons, making nature as much a part of the experience as the art itself.

Elan Gentry, guest. Sandy Rower, grandson of Alexander Calder and president and founding director of the foundation, artist Maria Robledo and Holton Rower, grandson of Alexander Calder,

When the Barnes Foundation approached Alexander “Sandy” Rower, Calder’s grandson and president of the Calder Foundation, about creating a museum, his vision was something different: not a museum, but a sanctuary. That idea became Calder Gardens, a one-and-a-half-acre oasis of reflection along Philadelphia’s Benjamin Franklin Parkway.

Pierre and Dominique de Meuron and Jason and Amanda Frantzen – The architects and their wives. I had a nice chat with Jason and Amanda. Jason answered a lot of questions I had about the building and inspiration. Originally it was going to be above ground, but seemed to compete too much with the surrounding area, and hence it was built underground.

Designed by Swiss architects Herzog & de Meuron, the building itself sinks into the earth, while the surrounding gardens are the work of Piet Oudolf, the celebrated Dutch plantsman behind the High Line and Lurie Garden. At 80, Oudolf remains passionate about the restorative power of nature, noting, “Beauty is what we need in life next to war and all this craziness.” – From Elle Magazine

Ilana Dean, James Claiborne, Nico Hartzell, all of the Barnes Foundation, with Ann Temkin, formerly with the Phila Art Museum, now with Museum of Modern Art (MoMA) in New York and Wayne Hendrickson, biophysicist at Columbia University

Calder Gardens represents a distinctive partnership: the Calder Foundation provides the curatorial vision, while the Barnes Foundation contributes administrative and operational expertise through an innovative resource-sharing model.

The building—a gently curved structure with a softly shimmering metal-clad north facade and an understated wood south facade reminiscent of Calder’s own bohemian home in Connecticut—was designed by Pritzker Prize–winning firm Herzog & de Meuron.

In this setting where architecture and nature commune, visitors will find a wide range of works by Calder both inside and outside. The artworks on display will change over time and include rarely seen masterpieces, some on public view for the first time.

Andee Friedrich and Suzanne Deal Booth is a philanthropist, vintner, and an advocate for the preservation of cultural heritage

Interesting, in a departure from the traditional museum approach, wherein didactic information is presented alongside works on view, Calder’s mobiles, stabiles, paintings, and drawings will be presented without labels that provide titles, dates, and texts explaining how best to understand and interpret them. By allowing the artworks to speak for themselves, Calder Gardens proposes an open-ended experience that encourages visitors to take their time and react to Calder’s art in their own way and at their own pace. 

Joe Neubauer, Sam and Elizabeth Warshawer

Calder Gardens is a vision born from passion, persistence, and the belief that Philadelphia deserves this cultural treasure,” says Joe Neubauer, founding board member of the Trustees of Calder Gardens and one of Calder Gardens’ greatest supporters. “In a time of global uncertainty, we came together to create a place where art and nature offer healing, inspiration, and connection—brought to life by three world-class artists: Alexander Calder, Herzog & de Meuron, and Piet Oudolf. I’m deeply proud to have helped bring this to our city for generations to come.”

Ali Perelman, Amaya Capellan, and Marsha Perelman, Calder Gardens Board Chair

Calder Gardens comes alive throughout the year with programs inspired by Calder’s experimental spirit.

Jeanette and Joseph Neubauer Philanthropist, do gooders, we’re lucky to have them in Philadelphia.

From artist-led audio walks and live performances to screenings, readings, and community gatherings, each experience transforms the gardens into a space for exchange and renewal—where culture, nature, and imagination meet.

Tucked within Calder Gardens is a quiet nook that pays homage to the Calder lineage, celebrating Alexander Calder alongside his father, Alexander Stirling Calder and grandfather, Alexander Milne Calder, who each left their own artistic mark.

Susan Braeuer Dam, Director of Research and Publications at Calder Foundation and Director of Archives at Calder Foundation

At ground level, visitors can step into an outdoor space where a porous wall invites nature to take over. Over the next five years, it will slowly transform, becoming a living wall of vibrant greenery.

Artist Holton Rower, grandson of Alexander Calder and his artist wife Maria Robledo walk through the newly opened Calder Gardens

Thank you. Walk, don’t run to experience Calder Gardens. If Philadelphia wasn’t already firmly on the map for its world-class art museums, Calder Gardens (and yes, forgive me if I call it a museum) will secure its place as a premier art destination. The building and grounds alone are breathtaking, but inside, the Calder works themselves are nothing short of spectacular. With pieces rotating in and out on loan from the foundation, private collections, and museums around the globe every visit offers something new to discover. Deep gratitude to everyone who shepherded this masterpiece from vision to reality.

Socially yours, xoxo HughE

Categories
Philly To Do

See: James Oliver Gallery: Untamed, featuring Wendee Yudis

Artist Wendee Yudis (center tan slacks): Blending feminist views and women’s empowerment with vibrant pop art aesthetics in a playful yet thought-provoking manner, I create art infused with energy, dynamism and socially engaging narrative. Currently Showing at James Oliver Gallery 723 Chestnut Street through 3/16
I attended the opening night of Wendee Yudis new exhibition a earlier this month.
Lee Shuman and James Oliver, His gallery is unique contemporary loft-style, spacious art gallery nestled in the heart of the historic area, above the world-famous Morimoto Restaurant. Found in late 2006, James Oliver Gallery features local, national, and international artists in the realm of painting, sculpture, mixed media, photography, and installation works in the Old City/Washington Square West neighborhood.
Matthew Baron and Sasha Lizlyner
Vashti DuBois Executive Director/Founder of the Color Girls Museum and Elizabeth Wellington, Inquirer Reporter

Who doesn’t love the fashion folks wear to art exhibition opening nights, like the very stylish
Nichole Alpas , Studio Teknik Salon and Jim Haer

Chris and Virginia
Bestie Lisa Gelfenson came out to support her friend artist Wendee Yudis
Maria Grande, Maryanne Deangelo, with Wendee

On View through 3/16: Untamed, featuring Wendee Yudis. View the exhibition catalogue here!

Join us for the Artist Talk on 2/23, RSVP here

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See The Mashrabiya Project in Old City

The Mashrabiya Project Opens at The Museum for Art in Wood in Old City.

Old City was energized on Friday as First Friday resumed a few months ago, and really seems to be hitting it’s stride again this year. So many art galleries and shops were open, attracting locals and art enthusiast a like. I headed to The Museum for Art in Wood and the opening night of The Mashrabiya Project

Anila Quayyum Agha stands next to her work”Charred Gold,” is a Mashrabiya made of charred block is, each embellished with words in English and Urdu describing emotions. .

The Mashrabiya Project is a community-focused, shared experience that links the heritage of the mashrabiya, a screening element with ancient origins, to responses in art and design that reflect considerations of space and seeing in contemporary life. The Project—the first in the U.S. to examine the mashrabiya as both an architectural object and a locus of metaphor—presents an opportunity for dialogue and connection across cultural and geographic borders.

Hoda Tawakol ,Majida Khattari,, Nadia Kaabi-Linke, Anila Quayyum Agha, and Jennifer-Navva Milliken, executive director and chief curator of the Museum for Art in Wood,

In newly commissioned works, six artists from the Muslim world— Anila Quayyum Agha,, Nidaa Badwan, Susan Hefuna, Nadia Kaabi-Linke, Majida Khattari, and Hoda Tawakol created societal and cultural concepts evoked by the mashrabiya.

Bill Gehrman, Owner & CEO · En Route and Tracy Buchholz Director of Public Relations En Route
Amrut Mishra and Micki Burdick enjoying the exhibition
Hoda Tawakol, Zaid Alrawi and Yarub
Guests view Majida Khattari‘s “Orientalismes revisités à Philadelphie” in which a series of photos displayed on a video screen must be viewed through a mashrabiya. Many of the photos are local artists or art lovers in the Philly area.
Leila Cartier, Executive Director of CraftNow takes a photo of herself in Majida Khattari‘s “Orientalismes revisités à Philadelphie”
Marilyn Nack, and Elissa Topol, Chair of CraftNOW Philadelphia
Patricia Fowler, Esq., President, Museum for Art in Wood greets the guests.
Guests relax on the sofa while enjoying the exhibition
Lindsey Bedford, with FringeArts is the new Director of Marketing and Communications and Rachel Zimmerman, Artistic and Executive Director of InLiquid
Ruth and Rick Synderman

“The Mashrabiya Project” is on display at the Museum for Art in Wood until July 23 and is free. The Museum also have other exhibitions on display, and a great gift shop. So many unique items.